Ancient algorithms compose tomorrow's symphonies. 47–177 BPM.
Synthetic Classical is a genre that merges traditional classical music elements—like strings, piano, and brass—with modern electronic production techniques. Originating in Europe around 1600, it evolved from early experiments in electronic music to a distinct style characterized by wide BPM ranges (47-177) and a fusion of acoustic and synthetic sounds.
The defining artists of Synthetic Classical — the names that shaped the sound. Tap to hear on Spotify.
The classic anthems and current essentials that define Synthetic Classical.
Synthetic Classical sounds like a conversation between a symphony orchestra and a synthesizer. The rhythm can vary dramatically, from slow, meditative adagios (47 BPM) to brisk, energetic allegros (177 BPM). Key characteristics include lush string pads, crisp piano arpeggios, woodwind melodies, and brass fanfares, all processed through effects like reverb, delay, and distortion. The genre often features complex harmonic progressions and dynamic shifts, maintaining classical structure while embracing electronic timbres.
Producers typically layer acoustic samples with synthesized sounds, creating a hybrid texture. The rhythm section, if present, may use electronic drums or processed percussion, but often the pulse is carried by the orchestra itself. The overall feel is cinematic, evocative, and deeply emotional, bridging the gap between the concert hall and the club.
Synthetic Classical originated in Europe around the 1600s, emerging from the intersection of classical composition and early electronic experimentation. Pioneers like Wendy Carlos and Isao Tomita used synthesizers to reinterpret Baroque and Classical works, laying the groundwork for the genre.
Over the centuries, the genre evolved with technology, from analog synthesizers to digital audio workstations. Artists began composing original works that blended orchestral arrangements with electronic textures, creating a sound that is both timeless and futuristic.
Culturally, Synthetic Classical reflects a dialogue between tradition and innovation. It appeals to audiences seeking the emotional depth of classical music with the sonic possibilities of electronic production, often used in film scores, video games, and ambient installations.
How Synthetic Classical is built — drum pattern, swing, and the sounds you need.
When producing Synthetic Classical, start with a classical composition framework—consider sonata form or theme and variations. Use high-quality orchestral sample libraries (e.g., Spitfire Audio, Orchestral Tools) for realism. Layer these with analog or virtual synthesizers (e.g., Moog, Serum) to add warmth and texture. The BPM can range widely, but choose a tempo that suits the emotional arc; slower tempos (60-80 BPM) work for introspective pieces, while faster (120-140 BPM) can drive energy.
For rhythm, avoid rigid quantization—use subtle swing or rubato to emulate human performance. Incorporate electronic elements like arpeggiated synth patterns, ambient pads, and glitch effects. Mixing should balance the orchestral and electronic components, often using sidechain compression to let the kick drum punch through. Experiment with convolution reverb to place the orchestra in a virtual space, and use automation to create dynamic swells. The goal is a seamless blend where neither element dominates.
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