Where brass bands meet street parades in joyous syncopation. 110–137 BPM.
Second Line is a New Orleans brass band tradition originating around 1900, characterized by syncopated rhythms, prominent brass and drums, and a BPM range of 110-137. It evolved from African American parades and funeral processions, becoming a staple of New Orleans culture with a festive, swinging feel.
The defining artists of Second Line — the names that shaped the sound. Tap to hear on Spotify.
The classic anthems and current essentials that define Second Line.
Second Line is defined by a driving, syncopated rhythm led by snare drums and bass drums, with brass instruments (trumpet, trombone, saxophone) playing melodic lines and countermelodies. The groove is bouncy and swinging, with a strong backbeat and offbeat accents.
The rhythm section often includes a sousaphone or tuba for bass lines, and the overall feel is celebratory and energetic. Tempos range from moderate to fast (110-137 BPM), with a characteristic 'second line beat' that combines a march-like pulse with syncopated fills.
Second Line originated in New Orleans, USA, around the turn of the 20th century, rooted in African American community celebrations and jazz funerals. The term refers to the 'second line' of dancers following the main brass band parade.
Over the decades, Second Line evolved from traditional jazz funerals into a vibrant street party music, influencing funk and R&B. It remains central to New Orleans cultural events like Mardi Gras and social aid and pleasure club parades.
Culturally, Second Line embodies the spirit of New Orleans resilience and joy. The music is communal, with call-and-response between band and dancers, and the iconic 'second line' umbrella and handkerchief waving.
How Second Line is built — drum pattern, swing, and the sounds you need.
For producers, the key is the drum pattern: a swinging snare drum with rolls and flams, a bass drum playing on beats 1 and 3, and a hi-hat or ride cymbal with a shuffle feel. The 'second line beat' often features a syncopated snare pattern with ghost notes.
Brass and woodwind parts should be recorded with a live, roomy sound to capture the street parade vibe. Use samples of actual New Orleans brass bands or record live musicians. The BPM typically sits between 110-137, with a strong swing feel (around 50-60% swing on hi-hats). Layer in call-and-response phrases and crowd noise for authenticity.
Hand-picked, updated weekly. Best for Parades, Festivals, Dancing.
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