Gritty, distorted Memphis rap samples over thundering 808s and cowbells. 127–147 BPM.
Memphis Phonk is a genre that emerged around 2012, blending chopped and screwed Memphis rap samples with heavy 808 bass, cowbells, and distorted vocals. It typically ranges from 127 to 147 BPM and is known for its dark, aggressive, and hypnotic sound.
The defining artists of Memphis Phonk — the names that shaped the sound. Tap to hear on Spotify.
The classic anthems and current essentials that define Memphis Phonk.
Memphis Phonk is characterized by its heavy, distorted 808 basslines, repetitive cowbell hits, and chopped vocal samples from 1990s Memphis rap. The rhythm is typically slow to mid-tempo (127-147 BPM), with a hypnotic, lurching feel. The production often features lo-fi textures, vinyl crackle, and aggressive sidechain compression, giving it a gritty, raw energy. Vocals are usually pitched down or chopped into staccato phrases, creating a dark, menacing atmosphere.
Memphis Phonk originated in the United States around 2012, rooted in the chopped and screwed tradition of Southern hip-hop and the early Memphis rap scene of the 1990s. Artists like Three 6 Mafia and DJ Screw heavily influenced its sound.
Over time, the genre evolved through online platforms like SoundCloud and YouTube, where producers began isolating and looping vocal samples from old Memphis tapes, adding modern 808s and cowbells. This created a raw, lo-fi aesthetic that resonated with underground listeners.
Culturally, Memphis Phonk is often associated with car culture, drifting, and internet subcultures. Its dark, menacing vibe has made it popular in edits and memes, while also sparking debates about authenticity and appropriation of Southern Black music.
How Memphis Phonk is built — drum pattern, swing, and the sounds you need.
Start with a slow, swung drum pattern around 130-140 BPM. Use a kick drum with heavy 808 sub-bass, layering it with a snare or clap on the 2 and 4. Add a cowbell on the off-beats for that classic phonk shuffle. Sample a vocal hook from an old Memphis rap track (e.g., Three 6 Mafia, Tommy Wright III), chop it into short phrases, and pitch it down. Apply distortion, reverb, and sidechain compression to make the bass pump. Keep the arrangement sparse—repetition is key.
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