Where punk's swagger meets death metal's brutality. 161–209 BPM.
Death N Roll is a subgenre of death metal that incorporates rock 'n' roll and punk influences, characterized by groovier riffs, swing rhythms, and a raw, energetic sound. It emerged in the mid-1980s in the USA, blending the brutality of death metal with the catchiness of hard rock. Bands like Entombed and Six Feet Under are pioneers.
The defining artists of Death 'n' Roll — the names that shaped the sound. Tap to hear on Spotify.
The classic anthems and current essentials that define Death 'n' Roll.
Death N Roll combines the guttural vocals and distorted guitars of death metal with rock 'n' roll's swing and groove. The rhythm section often uses d-beat or rock beats rather than constant blast beats, though blast beats appear in faster sections. Guitar riffs are catchy, blues-influenced, and often feature palm-muted chugs and open chords. The overall sound is raw, mid-tempo to fast, with a focus on headbanging grooves.
Death N Roll originated in the USA around 1984, emerging from the underground death metal scene. Bands began infusing traditional death metal with rock 'n' roll and punk elements, creating a more groove-oriented and accessible sound.
In the late 1980s and early 1990s, Swedish bands like Entombed further developed the style, particularly with their album 'Wolverine Blues' (1993), which became a landmark. The genre gained a cult following for its raw energy and memorable riffs.
Culturally, Death N Roll represents a rebellion against the overly technical and serious aspects of death metal, embracing a more party-like, headbanging atmosphere. It remains a niche but influential subgenre.
How Death 'n' Roll is built — drum pattern, swing, and the sounds you need.
For drum programming, use a mix of rock beats with swing and occasional blast beats. The snare should be punchy, and the kick drum tight. BPM typically ranges from 161 to 209, with a feel that's aggressive but groovy. Guitar tones are heavily distorted but with clarity for riff articulation. Bass is distorted and follows the guitar closely. Common samples include vintage drum machines or live drums with room ambience. Production is often lo-fi to maintain a raw edge.
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